Familiarize yourself with the muscles of the face (marked with striations), and then you won't be guessing anymore where the lines go+ As a result of this understanding, your drawings will take on a new authority. ![]() The creases of the face are an outward reflection of the inner musculature. The result was comic book heads that were too busy. I was just guessing where the lines should go. When I was starting out, I tried to make my comic book heads look coo!-I added lots of lines to the faces that didn't mean anything. The eye is set slightly be tow the bridge of the nose. ( The jaw is a } combination ^ of bone and i the fleshy part J of the throat. On a woman, the lines of the cheekbones give the face its sensuality ![]() Note the angular indentations and protrusions of the face, which are pronounced in the profile\ The bottom haif of the forehead (superciliary arch) is quite pronounced Here are the cheekbones that cause the aforementioned contours. ![]() On a manr the line of the cheekbone travels toward the nnouth, then appears to be cut off by a vertical facial muscle called the depressor anguli oris, On a woman, the line of the cheekbone doesn't appear cut off by the depressor anguli oris zygomatic gone zygomatic bone zygomatics major depressor anguli oris
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